Okay, so I ended up enjoying this book a hell of a lot more than I initially thought I would.
This last week or so has been a surprisingly good time for me. As mentioned in my last post I attended the Sheffield Sci-Fi and Fantasy Writers’ Group’s ‘Write A Book In A Day’ event, and that led to me remembering just where it was I left my mojo. On top of that, I received my swag from yet another Kickstarter yesterday; this time around it was the second bunch of ‘Heroines in Comfortable Shoes’ from Oathsworn Miniatures. And to top it all off I found out a few days ago that one of my friends has become a daddy, so all in all this little kitty has been in a good place just recently.
This is just a brief update to let you all know that I am still here, and that there are going to be some changes made to the site over the next few weeks.
Disclaimer: I received a free, signed copy of this and the other two books in the series at a local reading the author did. While I’ve tried to keep this review honest I do understand that it’s considered good form to be up-front about these things.
Plague Nation is the second book in Dana Fredsti’s Ashley Parker trilogy, . It follows on almost directly from where the first book left off, with Ashley and the rest of the wildcards mopping up the last of the zombies infesting Redwood Grove.
[Disclaimer: This review is just for Herland. I’ve chosen not to review The Yellow Wallpaper at this time.]
I should love this book, I really should. If everything I’ve heard or read about how important and groundbreaking Herland is can be believed then this should have immediately become one of the most valued books I’ve read in a long time. Unfortuantely, for me the experience simply didn’t match up to the hype that had somehow built up around the book itself.
My rating: 3 of 5 stars
This is the third in Connelly’s Harry Bosch series, and starts by giving us a flashback to the Dollmaker case that’s been referenced a few times in the first two books. The narrative then jumps forward to the present, and leads us into a court case where Bosch (and the LAPD) is being sued by the Dollmaker’s widow. As the trial gets under way, Bosch receives a letter from someone claiming to be the real Dollmaker, suggesting that Bosch killed the wrong man four years earlier. What follows is an interesting mix of legal drama meets crime thriller.